is one of the most important Italian singers performing. Great success in New York with a magnificent interpretation of the role of Fiora in L’Amore dei tre Re by Montemezzi, in her career Daria Masiero has sung with the greatest artists of the contemporary Opera scene like José Carreras, Plácido Domingo, Leo Nucci, Renato Bruson, Riccardo Muti, Sir Antonio Pappano, Myung-Wung Chung and many others, at the best Theaters and Festivals all over the world.
Her engagements include Elisabetta in Don Carlo at La Scala in Milan and for the Salzburg Festival, Lady Macbeth in Macbeth and Liù in Turandot at Petruzzelli Theater in Bari, Manon Lescaut in Manon Lescaut at Art Centre in Seoul, Amelia in Un ballo in maschera in Pavia, Cremona and Como, Odabella in Attila at Massimo Theater in Palermo and National Theater in Lubeck, Fedora in Fedora for Politema in Lecce and Foggia, La Rondine in Nice, Margherita in Mefistofele for Savonlinna Opera Festival, Margherita in Mefistofele and Tosca for Regio in Parma, Desdemona in Otello for La Scala in Milan, Como, Cremona, Pavia, Brescia, Arcimboldi in Milan.
Successfully protagonist at Opera Australia, as Aida and as Turandot in Handa’s Opera on the Harbour, Liù in Turandot Leonora in Il Trovatore, Micaela in Carmen,Tosca in Tosca at the Sydney Opera House.
Daria Masiero studied singing and cello, obtaining her diploma with honours at the Conservatorio Vivaldi in Alessandria, then she studied at l’Accademia of La Scala, Milan, and with Mirella Freni at the Accademia di Belcanto di Modena.
She has worked with the greatest conductors and directors, including: Riccardo Muti, Myung-Wung Chung, Renato Palumbo, Evelino Pidò, Sir Antonio Pappano, Daniel Oren, Gianandrea Noseda, Nicola Luisotti, Philippe Auguin, Aldo Ceccato, Ivo Lipovic, Bruno Campanella, Marco Guidarini, Lü Jia, Paul Connelly, James Conlon, Bruno Bartoletti, Francesca Zambello, Pierluigi Pier’Alli, Daniele Abbado, Giuliano Montaldo, Aldo Tarabella, Giandomenico Vaccari, Michael Capasso, Michele Placido, Jean-Pierre Ponnelle, Bruno De Simone, David Alagna, Beppe De Tommasi.
Ms Masiero has performed many Opera roles in Italy: in addition to the ones above, Manon in Henze’s Boulevard Solitude, Musetta in La Bohème, and Liù in Turandot, in Genoa; Euridice in Orfeo ed Euridice in Bologna; Mimì in La Bohème in Alessandria; Nedda in Pagliacci for Bellini in Catania; Zerlina in Don Giovanni, Glauce in Medea, Micaela in Carmen at Regio in Turin; Adelia in Donizetti’s Ugo, Conte di Parigi at Arcimboldi in Milan; Glauce in Medea and Euridice in Orfeo ed Euridice for Massimo in Palermo; she also performed the title role in Adriana Lecouvreur in Como, Pavia and Cremona; Vivette in L'Arlesiana and the title of the role in Tosca at Rendano in Cosenza.
International operatic engagements include: in addition to the ones above, Despina in Così fan tutte in Geneva; Donna Elvira in Don Giovanni for Opera Ireland and for National Theater in Roan; The Countess in Le Nozze di Figaro in Macau and for Opera Ireland; Violetta in La Traviata in Bogotà and Art Centre in Seoul; the title role in Statkowski’s Maria for the Wexford Opera Festival; Mimì in La Bohème in Jeonju National Theater in South Korea; the title role in Tosca at the Rudolfinum in Prague, she has been Leonora in La Forza del Destino at Varna Festival and also the title of the role in Norma, opera that she sung recently at the Nation Theatre of Rijeka.
Daria Masiero’s concert repertoire includes: the soprano soloist in Mendelssohn’s A Midsummer’s Night’s Dream at Arcimboldi in Milan. Among the others, extraordinarily appreciated her performances of Verdi’s Requiem around the world Perelada Festival, Town Hall Melbourne, Art Centre Perth, in Munich at Auditorium Gasteig, in Seoul at Lotte Concert Hal, as her Rossini’s Stabat Mater in Nice and Monte Carlo.